Feel free to peruse our catalogue, you can listen to clips, buy albums directly from us, or click on the album covers to get 'em on iTunes.
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There’s a beach where one sunny afternoon you may witness an offering to an Afro-Brazilian Orixa spirit of the ocean, the next day watch master capoeristas practicing Brazil’s martial art dance form, and still another day join a gathering of thousands of surfers-cum-dancers rocking out to hybrid musical sounds informed by bloco afro (Afro-Brazilian percussion music), samba-reggae, surf-rock, and California funk. No, these are not the shores of Bahia, Brazil. This is Santa Cruz, California, home of the surf-and-skate, capoeira-kicking, scene-busting phenomenon known as SambaDa. This smoldering and soldering band is a magnet of unexpected particles shaved from Brazilian and American sources. This community of people—their local fanbase and their Brazilian ancestors, their people—are honored in the title of SambaDa’s new album Gente! (February 23, 2010).
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Goodfeather - Goodfeather Physical CD
$9.99
Order the new Goodfeather album, available now. This is the physical CD mailed to you!
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Pamela - En la orilla
$9.89
Pamela Rodriguez is a Latin Grammy Nominated artist, who is exploring the cross-cultural musical languages within her home city Lima, Peru. She records with the award winning and three time Grammy Nominee producer Greg Landau and together work to find a modern homogenous sound and a connecting thread to her music that contains a wide range of styles such as landó, festejo, Peruvian waltz, zamacueca, the Peruvian jungle’s Cumbia, indie rock and reggae.
Her first album Peru Blue explored the new arrangements of Peruvian Classics like Augusto Polo Campos´ "Cuando llora mi guitarra" and Chabuca Granda´s "Cardo o Ceniza", next to her own compositions. Being a Peruvian folk composer is quite an achievement since most singers and musicians in the Afro-Peruvian genre tend to sing the same songs from the Afro-Peruvian songbook. "Peru Blue" was also controversial since she decided to sing a Jazz Ballad written by her ("silent tears") as the ending track of the album, in a Peruvian folk production scheme.
She has recently released a new album "en la orilla". In this new work she explored more deeply into her Peruvian roots, and sets in stone a style of her own. She writes all of the songs, except the landó version of Billie Holidays “Don’t explain”. The melodies are very strong and also her lyrics that speak about women identity in the new Lima, politics and intimate poetry.
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⁄Que Suene! (Lando)
[4:41]
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$0.89
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Me estas sentiendo
[3:32]
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$0.89
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Pan por desnudar
[4:36]
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$0.89
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Tiempo
[4:01]
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$0.89
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Peritas al olmo
[4:16]
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$0.89
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En la orilla
[4:21]
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$0.89
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Perdida en las horas (Zamacueca)
[4:42]
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$0.89
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Se le escapó
[4:10]
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$0.89
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Don't Explain
[5:25]
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$0.89
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Amor y sed
[4:01]
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$0.89
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Canto robado
[4:40]
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$0.89
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Cucharitas
[4:07]
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$0.89
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Pancho Quinto - En el solar la cueva de humo
$7.12
Pancho Quinto is a legendary figure in Cuban music, an innovator and pioneer pushing the limits and boundaries of percussion. In this recording Pancho changes the rules, by shifting between rumba, batá, abakuá, and iyesá rhythms, and effortlessly creating a pastiche of Afro-Cuban music that digs deep into the traditions and collective memory of Cuban culture.
“The group Pancho brought together for this recording was directed by Octavio Rodríguez, master drummer, babalawo, and innovator in the fusion of Afro-Cuban drumming with jazz and rock. Octavio’s percussion arrangements shift from one rhythm to another, from prayers to the orishas to rumbas, crossing back and forth across the clave. [At the same time this] recording provides the listener to hear the dynamic sound of a rumba as it is played in neighborhood gatherings and sung in the patios…of Old Havana and the shipyards.” ---Greg Landau.
Pancho Quinto grew up in Old Havana’s barrio of Belén, and worked on the docks. He began playing with the great Olú-batá Jesús Pérez, and became an Olú-batá himself. His broad and deep musical experience spanned participation in Havana’s noted carnival groups, local Rumbas, Ocha, Palo, and Abakuá ceremonies, and the popular La Sonora Matancera. He was a founding performer of the National Folklore Group of Cuba (Conjunto Folklorico Nacional de Cuba) and of the now world-renowned Grupo Yoruba Andabo.
Personnel:
Drummers: Pancho Quinto, Octavio Rodíguez, Isidro
Lead Vocal and Coro: Lazaro Rizo, Guillermo Triana “El Negro,” Juan Campos “Chan”
Background Vocals:“Santica Caridad Maldonado Alfonso, Arlyn González,
Pablo Menendez, Luís Badell “Luisito,” Lilia Esposito “Bellita”
Additional Percussion: Michael Spiro
Piano: Omar Sosa (“Lenguasá”)
Bass: Rahsaan Fredericks (“Lenguasá”)
Tres: Greg Landau (“Lenguasá”)
Produced and Recorded by Greg Landau
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El Errante
[5:07]
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$0.89
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La Media Vuelta
[4:07]
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$0.89
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En El Solar la Cueva del Humo
[3:51]
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$0.89
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La Rana
[5:39]
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$0.89
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Ajiaco Cubano
[6:40]
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$0.89
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Tiembla Tierra
[5:21]
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$0.89
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El Cisme Blanco
[3:28]
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$0.89
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El Sinsonte
[4:49]
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$0.89
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MoAD Suite
$3.56
The MOAD Suite was created for the Museum of the African Diaspora (MOAD) in San Francisco. The museum is an exciting new technology-driven facility focused on human migration from Africa, the cradle of humankind. MOAD is dedicated to celebrating the universal connection of all people.
In music we find the threads of our soul, interwoven and intersecting with those of our universal family.
Wherever we live in the world - India, Fiji, Germany, Japan, France, Mexico or the United States - everyone is part of the African Diaspora, literally, the scattering of people from their ancestral homeland in Africa, birthplace of us all.
Listen carefully and you will find familiar strains in the emotional movements of MoAD suite, as you move from the most basic of rhythms to compelling and complex scores.
MoAD showcases the art, culture and history of the African Diaspora to encourage an awareness of cultural diversity, and the inclusion of all rather than the exclusion of some.
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Movement One: Origins
[7:13]
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$0.89
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Movement Two: Movement
[7:14]
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Movement Three: Adaptation
[7:12]
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Movement Four: Adaptation
[7:09]
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$0.89
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Soul Vibrations - Black History Black Culture
$8.90
Nicaragua's Soul Vibrations provide ample proof that non-Jamaican musicians are capable of putting out reggae that is as straight-ahead and rootsy as that of their island cousins. Philip Montalvan and Raymond Myers, both of African-Caribbean descent and hail from Nicaragua's Atlantic coast -- which unlike the Pacific side, once held by Spanish colonists, is made up of many Caribbean transplants and is heavily influenced by early British colonialists -- provide the driving forces behind the band. Personality-wise, the two men are opposites. Myers is the charismatic, playful front man while Montalvan is the intense, serious songwriter noted for his thoughtful songs of love, harmony, and hope that call for Africans everywhere to unite. Many of their songs promote the teachings of Marcus Garvey, whom they regard as one of the 20th century's greatest black leaders. Though many of their songs are not political per se, they do point out the hypocrisy, egoism, and injustice they see surrounding political leaders. Still Montalvan considers himself apolitical, something that may stem from his experience of having been kidnapped and imprisoned at different times by both the Contras and the Sandanistas during Nicaragua's revolution.
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Black Culture
[3:41]
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$0.89
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Read Oh
[5:00]
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$0.89
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Mozambique
[3:37]
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$0.89
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Rock Down Central America
[4:28]
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$0.89
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Journey to El Salvador
[3:34]
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$0.89
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One Destiny
[3:39]
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$0.89
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Freedom Reggae
[3:41]
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$0.89
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You Ain't Gonna Be Lonely
[4:11]
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$0.89
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Thunder and Rain
[3:36]
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$0.89
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Spirit of Carnaval
[5:52]
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$0.89
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Los Venturas - Besame Mucho
$0.89
The best Belgian Surf band! Los Venturas bring you a Flemish classic in neo-surf style. No surf music collection is complete without these hit-landers from Flanders. Check out this single of swinging surf songs, lovely loungified lullabies, ripping raucous refrains, and tantalizing tube-riding tunes.
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Met de Vespa
[3:19]
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$0.89
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Santero - El Hijo de Obatala
$9.79
In a few beats, Santero can evoke the flatbed truck sonidero DJs of his native Guatemalan mountain village, his father’s cumbia band, and the memories of multiple family deportations. His rhymes are informed by running away from home at thirteen, rough times on the Bronx streets, and the neo-Nazi firebombing in New Orleans that nearly cost him his life (and did take his vinyl collection).
Yet on El Hijo de Obatala (Siete Potencias Trading Co. Distributed by City Hall Records; May 19, 2009), the DJ, MC, and Lukumí (Santería) spirit walker summons the Orishas, or spirits, and deepens hardcore hip-hop and reggaeton street cred, into the world of violin-loving river spirits, the great mother who protects and yet rules death, and the light-filled divine father of humanity.
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Abre Camino
[3:53]
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$0.89
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Machete
[3:48]
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$0.89
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Ochosi
[3:58]
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$0.89
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Oba
[3:55]
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Agua del Rio
[3:34]
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Cabio Sile
[3:43]
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Agua del Mar
[4:03]
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Baba Ade
[4:28]
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Madre de 9
[3:51]
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Checherengoma
[3:36]
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$0.89
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Agua del Mar Ologún Remix
[4:26]
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$0.89
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